The Big Sleep (1946)
Directed by Howard Hawks
Written by William Faulkner, Leigh Brackett, Jules Furthman
Starring Humphrey Bogart, Lauren Bacall, Martha Vickers, Dorothy Malone
Release Date August 31st, 1946
Published February 21st, 2023
Who is Phillip Marlowe? He's a detective, of course, but beyond that. Who is he? He's a cynic, a loner, a veteran. He's seen just about everything. He's seen enough to know when he's being lied to. He's tired. As conceived by Howard Hawks and Humphrey Bogart in The Big Sick, he's weary, bone tired, and yet noble. He may no longer have time for joy in his life but he has purpose... and cigarettes... and booze. But Marlowe's true hallmark is weariness. He just seems as if the weight of the planet is pulling him into the ground and he's not all that interested in preventing this from happening.
Marlowe doesn't have a lot to lose and hasn't had a lot to lose in a long while. This bone deep weariness has settled in after years of providing witness to the ugly side of everyday. Cheating spouses, murder, missing people, and the betrayal of friends, Marlowe's livelihood revolves around misery. It's natural that such a vocation would weigh on a man. In Humphrey Bogart, that weariness, that sense of being so incredibly worn down by life, has a physical form. The lines on Bogart's face seem to have been formed by the sheer force of emotional, physical, and intellectual experience.
It's odd to think, but in many ways, a man like Phillip Marlowe exists as a proxy for the pain of others. He's a trauma shield, a way to experience trauma through the filter of someone else. As a private detective, he's the one who will see the husband or the wife cheating or find that friend that has been stealing from you. He can then slightly soften the blow by providing the tools you need for the confrontation that must ensue and be resolved so life can go on. Strangely, I'm reminded of John Coffey from The Green Mile who sucks out the illness of others, into himself, and releases it to the world in a strange form of healing.
The main difference is that Marlowe does what he does for a significant price, and daily expense payments. For his latest effort, Marlowe finds himself in admiration of an elderly former General living out the last days of his life. General Sternwood (Charles Waldron) has called upon Marlowe because he is being blackmailed by some unknown person. A proxy for this unknown blackmailer has given the General gambling receipts indicating an unpaid debt that they claim belongs. to Sternwood's youngest daughter, the coquettish Carmen Sternwood. Payment is demanded of General Sternwood or something will happen to Carmen.
For her part, Carmen appears unfazed by whatever is happening, perhaps even unaware. Not innocent, not by a longshot, but nevertheless unbothered by potential dangers. After meeting Marlowe, and immediately flirting with him in clumsy, heavy handed fashion, the next time we see her, Carmen is extremely drunk and sharing space with a recently dead man. Marlowe, having followed Carmen, assuming she would lead to the blackmailer, finds Carmen and the dead man and sets about getting her home safely while avoiding the obvious frame job.
Find my full length review at Geeks.Media
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